HAMLET’S
MADNESS
Helmet’s
madness is the greatest enigma of the play “Hamlet”. Maynard Mack, a famous
critic, calls Hamlet’s madness a riddle. He thinks:
“Hamlet’s mind plays restlessly about his
world
twining
up one riddle upon the other”.
We have to
find whether his madness is real or feigned. In Shakespearean tragedies,
appearance and reality often merge into each other. The madness of Hamlet as he
himself tells us a mask and a kind of self-protection. But under the surface of
this feigned madness, there may lie hidden disturbance.
Hamlet is an
intellectual person. He is also an emotional person. About two months after the
death of his father, his mother marries his uncle. Of his two beloved parents
one is taken away by death forever and the other is dishonoured by the act of
hasty marriage and the world is now an “Unweeded garden” for him.
Hamlet sees
the ghost of his father and the original pain is intensified when he hears the
terrible news that his father has been murdered by his uncle.
He is asked
to take revenge of his father’s murder. He is very emotional and intellectual
person. He has to take revenge from the usurper. He makes a plan to put on an
“antic disposition” in order to deceive the court. He cries out against the
cruel fate that has laid on him:
“O Cursed spite,
That ever I was born to set it right!”
The king
suspects Hamlet’s antic disposition. He judge madness sometimes through
Ophelia, sometimes through Polonius and sometimes through Gertrude.
All the
characters of the play try their level best to know the root cause of Hamlet’s
madness. But they cannot reach the definite conclusion.
The Queen
thinks that Hamlet has lost his senses due to his father’s death and her hasty
marriage. So she states the cause of Hamlet’s madness due to:
“His father’s death and our hasty marriage.”
Polonius
thinks that Hamlet’s madness is due to this fact that Ophelia has repelled his
letters. He comes to the conclusion:
“Though this be madness, yet there is method
in it”.
Ophelia
thinks that she herself is the main cause of Hamlet’s madness. So everyone
thinks according to his own mental approach.
Hamlet’s
madness has been a subject of prolonged controversy among the critics. A group
of critics says that Hamlet is not really mad while some of the critics say
that Halmet’s madness seems to be real.
The critics,
who are of the opinion that Hamlet’s madness is not a real one but a feigned
madness, give the following arguments to support their opinion.
Firstly,
Hamlet appears to be mad only before those whom he wants to cheat. He shows
great courtesy and wisdom to the players and always talks to Horatio wisely.
Secondly,
Hamlet’s soliloquies are the evident proof of his wisdom. His soliloquies show
that he is an intellectual and a wise man. As he says on different occasions in
the play:
“Frailty, thy name is woman!--”
“That one
may smile, and smile, and be a villain;”
“To be, are not to be--
that is the question;”
L.C. Knight
says:
“The disguise which he had adopted was not
accidentally chosen.
Even in this disguise his
intellectual supremacy is manifested”.
Thirdly when
his mother sends for him, he goes before her though he looks mad yet he talks
very wisely.
Fourthly,
Hamlet condemns his mother for her marriage to Claudius in such an effective
and convincing manner that she is compelled to say:
“O Hamlet, speak no more!
Thou turn’st my eyes into my very soul:”
Fifthly,
Rosencrantz and Guildenstern do not think him to be mad. Guildenstern describes
Hamlet’s condition as “a crafty madness” which means that Hamlet is merely
trying to create an impression of madness. Harry Levin says:
“This crafty madness provides him with the
means of expressing pent up emotions”.
Sixthly,
Hamlet, himself tells his friend that his madness is a mask, a kind of
self-protection.
Seventhly,
when Halmet is going to England accompanied by his two school fellows, he
traces out the plot against himself and changes the content of the paper,
writes down his sentence of death for his companions. This is the thing that a
mad man cannot do. So it is clear that Hamlet is not really mad but his madness
is just to judge others and to deceive others. Johnson points out:
“The pretended madness of Hamlet causes much
mirth”.
The critics,
who argue that Hamlet is really mad, give the following reasons in their
support.
Firstly they
say that there are many instances in the play that show that Hamlet is really
mad as says:
“Making night hideous and we fools of nature
So horridly
to shake our dispositions”.
Secondly
Ophelia discusses his real condition with her father as he appeared before her.
She says that he is really insane because he has behaved her in such a way that
he seems to be a really mad man. Ophelia herself says:
“O, what a noble mind is here o’er-thrown!”
Thirdly
Hamlet’s strange behaviour at Ophelia’s funeral is supposed to show the
genuineness of his madness. When he sees Laertes leaping into Ophelia’s grave,
he too follows him and they fight with each other. The queen tries to explain
to Laertes the nature of Hamlet’s outbursts of passion:
“This is mere madness”
Modern
psychological criticism has given a very interesting theory about Hamlet’s
madness, based on psychological grounds. Psychologists say that Hamlet’s
pretended madness is a defensive mechanism. If he did not do so, he would
really get mad. It is the best way to protect oneself from against the real
madness.
Secondly, by
pretending to be mad, Hamlet kept his safety intact and could do anything,
could speak anything he liked. In this way, he was able to relieve the pressure
on his mind. T.S. Eliot says:
“Hamlet’s madness is less than madness and
more than feigned”.
The phrase
means that such pretence was necessary.
To conclude
we can say that no one can claim that he has understood Hamlet’s character
fully. Hamlet’s character is mysterious and complex one. But in the end we can
conclude in words of A.C. Bradley who goes to the root of the matter and says:
“Hamlet could make no other defense except
pretending to be mad.”
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